I just double click and value goes to 0.Īnyway, just curious what are the most efficient PT-ways that people do these sorts of tasks. This probably sounds not that useful, but I use this all the time in Reaper - for track fader, Reaper plugin param values. Since there is delay from Logic, on the Reaper track where I return the Logic audio I just go into track routing and set negative offset. I just started using this feature after I started sending audio from Reaper to Logic and back, so I can use Logic plugins. So if I have tracks named gtr 1, gtr 2, guitar 3, guitars 4, vx 1, vocal 2, vocals 3, the guitar tracks will all have same color and the vocals will all have their assigned color.ĥ. In Reaper I set up track color filters based on name of audio file. This probably sounds unimportant, but I find it useful. In Reaper I select time region, hit my key command, and 4 automation points are added, with a drop of whatever dB I specify in the custom action.Ĥ. For instance, I often use volume automation around some part of audio where I want to drop gain by, say, 4dB or whatever. This is made possible with the kind support of numerous industry partners. Quite elegant - no need for aux bus, and dealing with bus muting, etc, etc - all is done via track inserts and internal track channels.ģ. One of our most watched videos that you may have watched - in this video find out how easy it is to ReWire Reaper into Pro Tools and open up a new world of VST and AU possibilities categories: Video. For EQ I set output track channel to 3/4, and in Compressor I set its detector input to receive this EQ output. Subfolders for data/toolbaricons Support these: PRE-Fader Metering, Splitting Midi Editor, Big MIDI Indicators 11-15-2020, 06:33 PM 21: jrengmusic. In Reaper I simply add EQ and Compressor to vocal track as inserts. Pro Tools introduces dark theme REAPER General Discussion Forum Cockos Incorporated Forums >. For instance, consider de-essing vocals using sidechain compression, where an EQ'd version of the vocals is sent to compressor as a sidechain. In Reaper, there is this wild routing scheme that I use quite often. Multichannel Tracks (not to be confused with multichannel in sense of surround sound, but instead for things like sidechaining). Is there a way to make PT behave that way?Ģ. In Reaper I have fade handles on the clip itself and just drag freely. I see in PT that I can select a portion of time in a clip, hit Cmd-F. Here are some of the most common things I do in Reaper and am curious what are the most efficient ways in Pro Tools to do similar?ġ. I mainly use Reaper, and am trying to get myself situated in Pro Tools. Section 13.24 in the manual explains how to make custom smart tools. Plus many other modifications and tricks to save time and supercharge your audio editing workflow!Īnd visit my YouTube channel for in-depth REAPER tutorials.Hi, I am taking an audio post production course at Berklee Online that is being taught in Pro Tools. Gives a list of the actions that can be assigned to a key, combined to make custom actions, added to your custom Reaper menu or toolbars, or even make smart tools that can be made to mimic the functionality of tools found in other daws.Thoughtfully customized preferences and settings.“Brendan Baker’s Radio and Podcast Template” – with track presets designed for mixing podcasts to spec using REAPER’s stock plugin effects.A Backup folder that auto-saves projects every 5 minutes.a “Project” folder containing an “Audio Files” folder) Locate the rectangular box above the Trim, Selector and Grabber Tools: 4.
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